The Crisis of Artificial Intelligence
Field-weighted citation impact: 63.2
Most-cited article in the history of the International Journal of Humanities and Arts Computing
Reception
Katherine Elkins’s research has had unusually broad reception across the humanities, social sciences, and artificial intelligence research.
Elkins’s work is cited across the humanities, the social sciences, technical AI, and AI governance and law. The Crisis of Artificial Intelligence is the most-cited article in the history of its journal, The Shapes of Stories is the most-cited book in Cambridge’s Digital Literary Studies series, and Beyond Plot was selected as a Digital Humanities Now Editors’ Choice. Other publications have been adopted as methods, replicated as experiments, used in regulatory analysis, or read widely outside their original scholarly audience.
Citation standing
Field-weighted citation impact: 63.2
Most-cited article in the history of the International Journal of Humanities and Arts Computing
Field-weighted citation impact: 26.91
Most-cited book in Cambridge’s Digital Literary Studies series
Field-weighted citation impact: 16.71
Most-cited article in the Journal of Cultural Analytics
Research reception
Elkins and Jon Chun established a reproducible methodology for selecting, comparing, validating, and interpreting sentiment models across long-form narrative.
Knight and Rocklage applied emotional arcs to narrative reversals in Science Advances. He, Breithaupt, Kübler, and Hills grounded a study of 25,728 retellings in related methods in Scientific Reports. Researchers associated with the Piper lab and NarraBench have also drawn on this work in computational narrative research.
The methods have also been used outside literary fiction. Harvard Business School researchers applied emotional arcs to customer journeys. Related work appeared in IEEE Transactions on Games. Other researchers adapted the approach to political misinformation and other nontraditional narrative settings.
Elkins and Chun’s 2019 work on nonlinear narrative helped establish “middle reading” as a way to move between computational patterns and close interpretation.
Researchers at Aarhus returned to the study in later work on Hemingway and Danish literature. Tilmatine and colleagues adopted its smoothing method in Frontiers in Psychology. Other scholars have cited “middle reading” directly as a digital-humanities methodology.
Jon Chun’s SentimentArcs developed the methodological side of this work further through ensemble comparison of narrative trajectories.
Beyond Plot returned to the larger interpretive question of what sentiment analysis can reveal when narrative structure cannot be reduced to conventional plot. Digital Humanities Now selected the essay as an Editors’ Choice.
Can Sentiment Analysis Reveal Structure in a Plotless Novel? →
In Search of a Translator has received more than 9,000 views on Frontiers since its publication in 2024.
Yan Wang used Elkins’s visual and affective approach in developing a framework for classical Chinese translation. Other researchers have drawn on the work in studies of human and AI translation, including work on the Shahnameh. The article has also entered research on translation pedagogy, including research by Nugraha, Asi, and Fauzan.
Elkins and Chun’s 2020 experiment was the first writer’s Turing test of a large language model.
Floridi and Chiriatti cited its findings within a year. Later researchers returned to the experiment in work on machine psychology, impersonation, literary memorization, authorship, and narrative bias.
It is now the most-cited article in the Journal of Cultural Analytics, with a field-weighted citation impact of 16.71.
Elkins’s response to Angus Fletcher is cited across narrative theory and AI studies. James Phelan frames the debate around it, while Isabelle Wentworth examines it in research on gendered AI narrative in AI & Society. Omri Asscher engages it in the same journal as part of a humanities-based study of AI, and Jakub Lutostański brings it into Polish narratology.
David Pruneda Sentíes’s 2026 Spanish-language hermeneutic essay “La quimera en la tierra baldía,” published in UNAM’s Revista de Humanidades Digitales, argues alongside Chun and Elkins that the model of AI underlying Fletcher’s claim that AI will never write literature is obsolete.
Chun and Elkins introduced an early explainable-AI workflow for long-form narrative analysis.
Cugurullo and Xu cited the workflow in Policy and Society. Surveys in IEEE Access and Discover Applied Sciences included it in broader accounts of explainable generative AI. Other researchers have used the approach in LREC workshop research and applied work in banking.
Chun and Elkins developed an ethics-based audit of moral reasoning across deployed large language models that included confidence scoring.
Liu and colleagues adopted that scoring method for value-priority evaluation at COLING 2025. Sowmya and Vasudeva replicated the eight-model audit in IEEE Access. The Edinburgh LLM Ethics Whitepaper also included the work in its discussion of approaches to evaluating model values and ethical judgment.
The associated publication has a field-weighted citation impact of 63.2, more than sixty times the expected citation impact for comparable publications.
The EU–China–US framework developed by Chun, Schroeder de Witt, and Elkins has become one of the most widely used parts of their governance research.
The comparison appears in research published in Communications of the ACM, PNAS Nexus, Nature Communications, Information Fusion, and comparative-law scholarship.
Its use has become more substantive over time. Prabhakar and colleagues build an evaluation framework for national AI regulation on the three-regime comparison. Malanond and Boonyopakorn use it in developing regulatory lessons for Thailand. A Canadian Centre for Policy Alternatives guide brings the framework into public-facing discussion of national AI governance.
Other researchers have used the framework to study Chinese newsroom AI, healthcare regulation, and advanced-AI governance. Eltohamy and colleagues used it in research on low-carbon energy systems.
The ICML position paper led by Francisco Eiras developed a benefit-risk framework for open-source generative AI and distinguished among different forms of openness.
Paris, Moon, and Guo identified it at FAccT as one of the major frameworks for thinking about model openness. The Model Openness Framework and a TMLR consensus paper also drew on its analysis.
Later empirical work has tested those questions against actual practice. A large-scale study of artistic image-generation ecosystems used the paper to frame creator practices across open models. The work has also entered research on cross-border business development in generative AI.
Curricular uptake
Elkins’s work is taught in literature, digital humanities, philosophy, information technology, AI and storytelling, pedagogy, and emerging courses in law and technology regulation.
The works taught include The Shapes of Stories; “Can GPT-3 Pass a Writer’s Turing Test?”; “What the Rise of AI Means for Narrative Studies”; and “AI Comes for the Author.”
The scholarship has also been used in public-humanities programming and teaching resources, including an Ohio State University symposium and Transylvania University’s Teaching & AI guide. Comparative Global AI Regulation, coauthored with colleagues at Oxford, has also been selected for a proposed course on global approaches to technology regulation.
Independent humanities scholarship
Elkins’s independently authored work on Cinderella has also continued to find new settings.
Seyedtabatabaei and Fatemi cited The Shapes of Cinderella in a 2026 PLOS ONE study of the “Cinderella complex” and barriers to self-employment among rural women in Iran.
This is worth retaining because it shows the work being used well outside its original disciplinary setting.
Elkins’s work on Proust has been taken up in literary studies and philosophy, including work on consciousness, perception, temporality, selfhood, and aesthetic experience.
The Oxford volume Proust’s In Search of Lost Time: Philosophical Perspectives helped establish a sustained philosophical reading of the novel beyond its familiar association with involuntary memory. Elkins’s own work foregrounds present-tense perception and consciousness as central to Proust’s account of experience.
Later scholarship has engaged this work from several directions, including philosophy, genetic criticism, psychoanalysis, and comparative literature.
Education and field-building
Elkins and Jon Chun founded the Human-Centered AI curriculum and lab at Kenyon in 2016, creating an interdisciplinary research model that combines technical training with domain expertise and original student research.
More than 200 IPHS/Human-Centered AI student research projects are publicly archived on Digital Kenyon, with more than 125,000 downloads from more than 4,700 institutions in 198 countries.
The curricular argument itself has also entered scholarship. UNESCO’s Prospects quoted its account of the relationship between digital humanities and AI. Researchers have also drawn on the work in global health, medical education, chemistry, creative labor, digital archiving, and AI education. It is now also treated as primary evidence in systematic reviews of AI in higher education, cited among the studies those reviews survey.
Human-Centered AI education → Mentored research outcomes → Digital Kenyon projects →